writing

Cooking Up a Story

cookingandwritingforblog1

Comparisons between creating on the keyboard, and creating in the kitchen keep popping up.

Unusual, since I’m more likely to use my oven for storage than food prep. Nonetheless…

A good chef will tell you, ‘If you can’t be proud of it, don’t serve it.’  That philosophy has been behind many a late dinner service. But the end result is that all is forgiven once the diner digs into his perfectly produced, delicious repast. He’ll likely deem the meal worth the wait.

The “If it isn’t ready, don’t offer it” philosophy becomes more problematic when applied to writing. Our hungry, hopeful patron may be the editor or publisher, but we have to contend with an intractable extra ingredient.

The deadline.

For most of us who are submitting to calls that will draw hundreds or thousands of entries, we can’t expect to deliver the goods late and justify our tardiness by pointing out how it’s worth the wait. The diner at our table won’t bother sampling. There are no extensions in our kitchen.

Getting a manuscript in on time is a perfectly legitimate, understandable expectation.

But then, you stumble across the call for submissions that stills your world because it seems tailor-made for you. Right up your alley. Posted with your name all over it…

…and it ends in an hour.

So. Do you rush to pound something out with no time for anything other than a quick proofread, and shoot it off to this perfect destination where you just know you belong?

Maybe. It’s a gamble. It’s taking a chance on leaving a bad taste in someone’s mouth. Maybe it would be wiser to let them go dinner-less.

The deadline is an ingredient in the writer’s world that can trump all the other lovely things on the plate. It looms and we are under its gun.

I don’t think chefs suffer that fate quite as stringently. But I could be wrong. After all, my oven is used for storage.

catunder gun

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writing

The Description Duality

frenchgardenhome

I am a bona fide description junkie.

Can’t get enough.

I dive into pages of language paying homage to the precise angles of parquetry; the multi-hues of honeyed sunshine pouring through jewel-toned panes of leaded glass; the wealth of colors and textures in a garden lush with twining, scented blooms.

These things make my toes curl. As long as they’re about environment. As long as they allow my imagination to follow their path and build, layer upon layer, a space of some sort. But pay that much attention to describing characters and you’ve lost me.

It’s the difference between world-building and backstory.

To me it’s the difference between being a participant or an observer.

Once again the concept of show vs. tell rears its quixotic head. Show me a place I can inhabit as a reader and I welcome infinite detail. Use that same level of description to paint a character and I’ll wonder why I should be interested in this passive creature who wavers into view via words instead of his own actions, or feelings, or thoughts.

As a reader, I know what I like; able to scan a dust-cover or blurb and instantly discard or covet.

As a writer, I fall into the trap, carried away on the tide of my own creation.

It’s difficult to read your own work without making the unforgivable mistake of falling in love with it to the extent that you’re blinded to its faults. That’s why everyone tells you to lay the story aside for a few weeks, months, years even. However, if you don’t have that luxury, if a deadline looms…you have to develop the skill of being able to split from your work.

Because the only way your opinion of your own work counts, is if you can confront it as a reader plain and honest.

No patting yourself on the back for a particular turn of phrase.

No thinking cleverness can disguise a lack of heart.

It’s hard. I’m not sure if anyone can do it consistently. But it’s the only way to know if your backstory is as enticing as your world-building. And for those of us who are unusually description-susceptible, it’s a necessary sort of schizophrenia.

Otherwise, we’d sink beneath the surface, sucked into the creation that will never be anything but a playground for one.

lonelyplayground

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